The Confetti Clatter- January 2020 Newsletter

Reflecting on 2019

As we look back at 2019 in photos, we hope that all of our fans and followers will have a happy and prosperous new year. 2020 will be a special year for us, as it is our 35th anniversary. Thirty five years as a group means saying hellos and goodbyes many times, to both followers and group members. Whether a person performed once, or for several years with It’s My Party, we hope that they developed some esprit de corps through their participation in this group. Your efforts are appreciated and you will not be forgotten.

2019 was an exciting year for It’s My Party. We performed eighteen times over a 6-week span. Highlights for the season included the Lyons, NY performance for their farmers’ market, and the well-attended annual performance at What’s ‘Ur Scoop Ice Cream. We also returned to Honeoye Public Library Concerts and the Sodus Bay Lighthouse Concerts after a long hiatus from performing at both events. New venues included the Rochester Country Club and Ferris Hills at West lake.

It’s My Party is truly a grassroots enterprise, we do not have a professional photographer, videographer, merchandiser, or manager, rather we rely on the generous contributions of family, friends and fans, The following slideshow are shots taken by our fan Ken Kleinendorst at our Hammondsport and Shortsville performances this past Summer:

New Performance dates for 2020:

23jul6:00 pm8:00 pmEvent CancelledHammondsport Music in the Park

06aug6:00 pm8:00 pmEvent CancelledIrondequoit Farmers' Market

The Confetti Clatter- December 2019 Newsletter

“Where words fail, music speaks.” ― Hans Christian Andersen

To Cover, or Not to Cover (When it’s a good idea to leave well-enough alone)

This article was originally posted in March 2013, but is worth reposting for our new fan base.

It’s about that time of year when the group decides to add new songs to the play-list for the upcoming concert season. IT’S MY PARTY! is faced with many challenges when selecting songs. On the odd showcase event, it’s a no-brainer to perform as many original and arcane tunes as possible. However, that strategy would fail at our typical Western, NY performances, where the audience leans toward songs they know and already like. Although we try to strike a balance between a few originals, some esoteric numbers, and a good amount of charting songs from the ’60s and ’70s, we still have folks, from time-to-time, approach us after shows upset that they didn’t recognize many songs we performed. Recalling the big hits we just performed like, “Chapel of Love,” and “It’s My Party,” doesn’t propitiate these audience members, and they leave the concert disappointed. Unlike 2013, our recent balance of songs leans toward more recognizable tunes, including a spattering of male vocal hits.

This brings me to my thoughts on when and how to cover a particular song. There are some songs I would view as untouchable, in that the original shows such genius and musical pathos, it simply can not be attempted as a cover. Almost every Shangri-las song falls into this category. An attempt to cover “Leader of the Pack” would come off as stilted, that one, although recognizable to all, is best left alone. On the other hand you could give “Long Live Our Love” a try. We had included Dusty Springfield’s “I Only Want To Be With You,” in the past, but the attempt fell flat; clearly we were reaching too far on that one. We added this song back into our set list in 2018.

Sometimes the best strategy for some covers — and this would not sit well with those wanting to hear a recognizable tune — is to interpret that song in a unique or creative way. If you will, making that song your own. Look for the girls trying a few of these this year. Was Santana’s version of “She’s Not There” a good cover? Sure, and he put his own spin on the song. Any Zombies song is pretty much untouchable; don’t even try to replicate them! The entire Zombies album Odessey and Oracle is a masterpiece, but that’s a subject for a future post.

On the very rare occasion, the cover can actually eclipse the original recording. For this to happen, it can’t be one of those untouchables. The one instance that comes to mind is the artist, Lick the Tins and their ’80s cover of “Can’t Help Falling In Love,” originally recorded by Elvis Presley in 1961. This song is ripe for a cover, hey, it’s not from one of the Sun sessions! Some may argue, it’s not one of his best. Lick the Tins took the song in a whole new direction. As Ron Stein, of whom It’s My Party is the brain child, said, “Lick the Tins performed the song the way it should have been originally recorded.” That coming from one of the top Elvis fans of all time!

So I will leave you with two links, one to the original Presley version, and the other to the wonderful rendition by Lick the Tins. Give a listen, and feel free to weigh in on this subject by posting your thoughts.

 

The Confetti Clatter – November 2019 Newsletter

We have our first show booked for 2020!

We’re back at Dairy Queen next July.

05jul6:00 pm8:00 pmEvent CancelledDairy Queen Car Cruise Night

New video uploaded to YouTube

Our official YouTube channel has a new video from our August 14 performance in Shortsville. We would like to thank Ken for making the close to 200 mile trek to see us on a regular basis, and for bringing along his video recording gear. This is a good year to release videos because we feature an experienced lineup of vocalists and musicians. By the middle of August, we were running on all cylinders. 

This segment is a cover of The Cowsills song, “The Path of Love.” We chose this song for two reasons, first off, Emma sounds great singing this one, and it is one the band likes to perform. Secondly, it is a tribute to the Cowsills, and specifically John Cowsill, who sang lead vocals as a youth on the original recording.

Back in 1999, we played in Los Angeles for the first time. The venue was a club called The Gig in Hollywood and we were one of several bands performing that night. Of course we were nervous, but the reception couldn’t have been better. Well, we started played “On the Beach Tonight,” and for some reason the girls were singing a half-step out-of-tune. We thought that when Don, our guitarist, started playing the solo, the girls would hear the key and adjust, but no, they came in again off-key. This was one of the most bizarre moments in group history!

Well, the guys held their heads low leaving the stage, but the girls were all smiles. We sulked back into the dressing room.  Soon thereafter, one of the bouncers asked if someone could come backstage to meet us. We said, “Sure.” So in walks this guy who was just gushing about our performance, and mentioning that it reminded him of a band he once had with his family. He made us feel a lot better than we had about the show. When he left, the bouncer asked if we knew who he was. We didn’t and he said, “That’s John Cowsill of The Cowsills.” He only mentioned his name was John, and we were impressed by his humility, as he never mentioned his family band by name. 

Later in the night, we cheered John on as he played drums in his band. I will never forget that night and the impression John made on us. From that moment I knew we had to cover a Cowsills number as a tribute to John, and finally in 2019, we did. 

Fast-forward to 2012, and Paul and I went to see the Beachboys perform at Darien Lake. John was playing drums for them at that time, and Brian Wilson was back in the fold. It was a super concert. John Cowsill is an accomplished drummer, and Darian Sahanaja, a great guy, and fan of It’s My Party was playing keyboards and percussion that night. It was Darian who mentioned too us how much the vibraphone was used in ’60s girl group music, which led to us buying the instrument. He was so impressed that we brought our own glockenspiel the LA show, which he also attended. Unfortunately, our attempt to catch up with the guys back stage didn’t happen.  It’s refreshing to see that accomplished musicians like John and Darian are grounded and supportive of others like us.

A Look back at the March 22, 1986 live performance at The Casablanca

(We originally posted this article in 2011, but it’s worthy of re-posting for our new followers)

This historic post contains a play-list of four live recordings by the original IT’S MY PARTY! girls. The date was March 22, 1986, the venue, the now defunct Casablanca on East Henrietta Road in Rochester, NY. Our road manager at the time, Arnie Kraft, captured the recording on, of all things, a cassette boom-box. Listen to that recording wonder machine “hard limit!” Which brings me to a one of my recording philosophies, equipment is the least important aspect of the recording process; all the equipment in the world will not compensate for a mediocre performance.

Liz, singing at the Casablanca

Track one is Liz, the second IT’S MY PARTY! girl to join the group, performing a Revillos/Rezillos’ tune “Bitten By a Love Bug.” The early group played seventies and eighties girl groups as well. Listen to Dave Carroll’s nifty guitar work on this track. Gary Skinner– the guy responsible for coming up with the name for the group — shows his versatility by adding the second guitar. This song was always fun to perform and a real crowd-pleaser.

Sonia, girl number three, sings our namesake, “It’s My Party.” What struck me immediately about Sonia was her ability to blend in a vocal harmony, a talent very few singers possess. On this track Sonia shows she can sing a strong lead vocal as well. It’s no surprise that someone with Sonia’s talent continues to endeavor in music; to see what Sonia is doing musically today, click Sonia Lee to arrive at her official website.

Sharon singing at the Casablanca

Never a group to shy away from performing an esoteric track, “On and On,” was originally recorded in the ’60s by Joy and the Sorrows. Sharon, the first girl to join the group, takes lead. This is an honest recording, perhaps the vocal ensemble is a bit out of tune here and there, but hey, you try singing while a band is blasting in your ears! And besides, I really like the emotion in Sharon’s delivery.

Gary, Dave, Liz and Sonia at the Casablanca


Finally, listen to Liz singing lead on The Chiffons’ classic “Sweet Talkin’ Guy.” Her brilliant rendition carries the proper emotion and more than compensates for the “tricky” drummer — myself! — who had to overplay. Sometimes it takes awhile to figure out that drums are an ensemble instrument. Listen to Gary Skinner’s solid opening on the keyboard and his attention to detail during the music break.

The Confetti Clatter – August 2019 Newsletter

Four Shows in Four Nights

We never turn down an opportunity to perform, which led to an interesting twist to the summer 2019 tour, a cluster of four performances on consecutive nights. This is the first time in group history that we faced such a task, and quite frankly some of us had our doubts. Would voices hold up? Could the crew, many of whom are also musicians, endure four ten-hour days of toil and performance? What would be the effect on the show, especially on shows three and four? All of these questions were answered, and we’d like to tell the story in this edition of the Confetti Clatter.

First Show: Wednesday July 24 Ferris Hills at West Lake

This was the first time we played at this venue, which is a senior living home on the west side of Canandaigua Lake. Claire, the events coordinator, was helpful in making sure we had everything we needed to have the show go smoothly.

We were hampered during set up by afternoon showers, but eventually the skies cleared. The show ran only one hour, from 7 to 8 PM. The residents were not shy about sitting very close to the band and seemed to enjoy every note. Several folks danced or mouthed the words to some of the hits. A big bonus for us was being able to perform for residents of the nearby VA hospital, who were bused in for the special occasion.

One down and everyone was happy, but how would we hold up for the rest of the stretch? Since our next gig was in Hammondsport, there was no sense driving the gear back to Rochester. Instead the crew secured a room at the Canandaigua Econolodge — more on this later.

Second Show: Thursday July 25 Hammondsport, NY

The weather report was questionable for the afternoon, but we received a call at 11:00 from the Trinity with the Hammondsport Chamber of Commerce, that the concert was a go. This show has become an annual for us, and the community always looks forward to our return. Trinity helped by securing parking along the village green for our truck and trailer in advance of our arrival at noon. 

The journey from Canandaigua to Hammondsport is both scenic and hilly. Descending into Potter, NY is always interesting with a trailer in haul! We always stop by the Crooked lake Mercantile, in Branchport, NY for a sandwich along the way to Hammondsport, and this time was no exception. The food and service was top-notch, as usual.

Always look forward to lunch at the Crooked Lake Mercantile

Arriving in Hammondsport, we began setting up. This takes two people about six hours, maybe less, if we don’t carry a percussion player, which was the case for all four of these shows.

Ken, formerly the head of the Chamber of Commerce, introduced us and the show went off without a hitch. The village green was full of appreciative attendees. This is the farthest we travel from our home base, and it is worth every mile. As soon as the concert ended, thoughts of returning in 2020 came to mind. Some of us dined at the various eateries after the performance.

At show’s end in Hammondsport

Show Three: July 26 Veterans’ Gazebo, Honeoye, NY

After the performance in Hammondsport, we returned to the Econolodge in Canandaigua for our second night. The facility was clean and obviously well cared for. I struck up a conversation with the owner about his garden along the side of the building. He shared one of his hot peppers, and said I could take any plantings I liked in the future. We talked about Indian cooking, and then it was on to Honeoye, about 45 minutes to the south west.

The Econolodge in Canandaigua as we depart Friday morning

The weather forecast for Honeoye was perfect, but the clouds quickly accumulated, as they often do in Western New York during the summer. The crew had sandwiches at the nearby ShurFine supermarket, and stopped by at Ward’s Lumber to purchase some tools before the task-at-hand. One of the appeals of performing small towns and hamlets is supporting local vendors, rather than the usual big-box stores. It wasn’t long after we began pulling gear from the trailer that the sky began to look ominous, and distant thunder was apparent to the north. Four outdoor shows on consecutive nights is asking a bit much for this part of the world, and it looked like this one would be cancelled.

Honeoye: Let the set up begin!

Just before showtime, a few raindrops fell, but most of the activity was to the north and south, Honeoye was in a corridor that dodged the major downpours. Admittedly, the crew was a step slower, due to a third show in three nights and the oppressive heat.

The skies cleared somewhat for the performance, and Wendy, the organizer was thrilled with the turnout and performance. It had been six years since we played this venue, and hopefully we’ll return sooner. 

So far voices were holding and the band continued to play enthusiastically. One glitch was the PA system, which failed to output the left channel. We quickly switched to mono for the show, and wondered what went wrong. Would this happen again tomorrow at the next show, with no time to troubleshoot?

Show Four: July 27 Country Club of Rochester 

Our final stop of the marathon was in our hometown of Rochester, NY. The Country Club of Rochester is steeped in tradition, it is the home course of  legendary golfer Walter Hagen, where he began as a caddie. This show was part of an evening dining experience for club members, which included lobster and drink. We performed on the terrace, under an awning, fortunately, as the mercury soared to 89 degrees. The skies threatened, but once again we dodged the rain. It was quite a walk from the driveway to the terrace, and it seemed as if we were in moving slow motion. 

Don “Riffin” Griffin joined us on guitar, here at the Country Club of Rochester

The performance was surprisingly strong, with high marks going out to our string section. We were well-received, with a few members taking cards at the end of the night, while others made positive comments on our Facebook page. As for the PA, the left channel output came back to life; fortunate, but would the problem arise again? The run of four shows was over, and it was time to recuperate!

 

New Show announced, a reschedule of a rain out

08aug6:00 pm8:00 pmGeneva Lakefront Park

The Confetti Clatter – August through October 2016

Concert season ends in August

August 2nd show at the Charcoal Corral

Our August 2nd show at the Charcoal Corral, always a band favorite

The month of August was very busy for us, a performance at the Charcoal Corral in Perry on August 2 began a string of shows that finished on August 19 on a perfect night in Batavia. Although it was a hot and dry summer in Western, New York, the band was able to perform every show. However, our much-anticipated performance in Hammondsport, NY village green was disappointingly rained into the high school auditorium, where the acoustics of the room were in question and the attendance compromised.

We added more songs to our setlist in August, including the Gene Pitney tune, “It Hurts to Be in Love.” This song was a crowd favorite, and featured James on the lead vocal, with the girls singing the backup vocals. The song also showcased an organ lead by Nicole, our keyboardist. Dylon and Drew charted the keyboard and Baritone saxophone parts on this song.

We’d like to thank Ed, one of our fans, for volunteering to run our merchandise table. Also, a big thank you to Eriketa, who did yeoman’s service filling in for Michelle on two occasions. Finally a shout out to Michael, Ed, and other fans and family members, who helped us both setup and tear down during the course of the performance season.

Enjoy a slideshow of photographs from our August 2 show at Charcoal Corral, taken by Ian Stewart

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Reunion in-the-works

Rhian, Karyn and Cara

Rhian, Karyn and Cara, get together for a recent photo

We have some exciting news to share, a reunion appearance of the 2002 IT’S MY PARTY! singers is looking like a reality. Cara, Karyn, and Rhian performed as the IMP girls in 2002. This trio performed in the Rochester area, and had one show in Chicago. Cara and Rhian left the group in the fall of that year for the opportunity to showcase their talents on American Idol. Later, in 2013, Cara and Rhain, known as the Morgan Twins, got a second opportunity in the bright lights with an appearance on The Voice, reprising  “Fallin’,”  the performance that punched their ticket to the Hollywood round of American Idol. On The Voice, their performance turned all four judges’ chairs during the blind auditions, and found them a spot on Team Blake. After the departure of Cara and Rhian, Karyn stayed in the group through 2003, reforming with Jilly, Kim and Shannon. The quartet enjoyed performances at Frontier Field in Rochester, NY, and in both Chicago and New York City.

We have scheduled an initial meeting of the girls and a rehearsal on November 5. We’ll keep you posted as events unfold.

The group is seeking a lighting technician

The Altman Comet follow spot is missing its color wheel assembly.

The Altman Comet follow spot is missing its color changer assembly.

We have recently been gifted a used Altman Comet spotlight, and for under $100 in repairs and parts, we were able to get most of the functionality of the light to work. Unfortunately, the color changer assembly is missing, and would be too expensive to replace on a used soptlight.

With the addition of the spotlight, we are seeking a lighting technician to run the followspot, as well as the rest of our lighting. Over the years, we have acquired a nice array of lights, controlled by a hand-held device, but have had to settle for a static light show. It is too difficult for a band member to run the lights; they also lack the perspective of the audience’s point of view. If you are interested, please contact us, no experience is necessary.