The Confetti Clatter – June 2020

2020 performance season update

Following a successful 2019 performance season was a hard act to follow this year. I did not hear back from numerous venues from last year regarding this year for whatever reason. There was the golden anniversary for Marge’s Lakeside performance talked about two years ago that never materialized. And Joan from Lyons, NY decided to retire, passing the baton to someone unfamiliar with the group. Everything felt a bit off right from the getgo. And then things came to a screeching halt in February, which is usually the time the last-minute shows materialize.  When all was said and done, we ended up with a half-dozen events, three of which event organizers have subsequently cancelled. Although I do not possess a crystal ball, I predict that we will play live for you this summer. Alternative ideas are in the works, and more details will follow. Please refer to our events section for cancellations and possible additions.

Group history – 1986

I will go on record as admitting that I have a sweet spot for nostalgia. With uncanny foresight, I know what to save and what to chuck. Most rational people would throw everything out. However, if, for any reason, I feel an artifact chronicles my life, I keep it for future reference. The problem is my organization of said artifacts leads something to be desired. While digging around in the garage loft — for something else of course — I stumbled upon a motherload of group artifacts: photos, recordings, flyers, banners, posters, setlists, and yearly calendars.

It was one of the yearly calendars from 1986 that will form the basis of this article. Let me begin by telling you that these calendars were incredibly detailed, much to the delight of my 2020 eyes! They record performance dates, some of which document the fee we agreed to, practice days, when band members came and left, sometimes with the reason, and vacation times for specific bandmates. I will use the term band for It’s My Party at this stage. To my way of thinking, a band is a self-contained entity, with the same performers at every show, think the Beatles. A group is a vocal ensemble backed by varying musicians from show to show. For our history, we were a band from 1985 through 1988, and then again from the early ’90s through 2003. 2004 started our group era with more complex and elaborate orchestration by various musicians. 

1986 saw three incarnations of the band. January 1 through May 4 was the original band, June 30 through August 4 was a short-lived second formation, and October 23 to the end of the year marked the beginning of the third iteration of It’s My Party, the beginning of the Paul Kanack Era.

Without going into too much detail, the original band performed seven times in 1986, once at Shnozz’s, three times at the Casablanca, twice at Red Creek, and once at the Island Cottage. All of these venues are now defunct. My memory must be slipping because I had no idea the original band played at Shnozz’s, or Red Creek more than once. I do not remember the third show at Casablanca on May 3, which turned out to be the last for the original It’s My Party. The following day Gary Skinner, Dave Carroll, and Liz Collins departed.

Liz, Sonia & Sharon perform at Red Creek on April 19, 1986. The building is now a MacGregor’s

On June 30, we put the band back together. I give Jim Basile, our bassist, and Sharon and Sonia, our remaining singers, all kinds of credit for sticking it out, the original band had incredible esprit de corps. It took a lot of fortitude to persevere. Without those members sticktoitiveness, It’s My Party would have folded. Vocalist Kelly Donovan and Guitarists Ken Peters and Larry Goss joined Sharon, Sonia, Jim, and me on that final day of June in 1986. We were ready to embark on a new adventure.

Just a quick background on Ken and Kelly, Ken was a fan and follower of the group. He would always approach the stage at the end of the show and thank us. One time he mentioned that he played bass as his primary instrument, but that he also played guitar, and that if we ever needed one or the other in the band to look him up. So, sure enough, I did, and Ken was thrilled to join us. Ken brought a degree of enthusiasm and original material that he had crafted through the years. He was also an advocate of Brodesser Guitars, custom-built guitars and basses by Ryan Brodesser in nearby Brockport, NY.

Kelly was known to me from the girl group Girl Talk, an act that also included Liz Collins at one time before Liz moved on to Transistor Sister. After talking it over with her husband, Kelly joined the group. Kelly brought a sense of theater and professionalism that were not a part of the original band. The original It’s My Party ran on pure adrenaline, spontaneity, and talent, with fun being the prime objective. 

Larry Goss

Larry is doubling on maracas at the MDC performance during the song, “I Want Candy.”

Larry Goss, to my knowledge, had never been in a band before, nor do I think he had performed live. Larry is someone I have stayed in touch with through these years, just a great guy, and he still follows IMP. Larry and I go way back to the days of the band Montage. I played drums in Montage beginning in 1974, and Larry, being from East Penfield and knowing some of the band members, started following us. Larry was also a fan of my band Tempest in the late ’70s. Larry most likely also followed It’s My Party, as he was a big fan of Dave Carroll’s guitar playing. Dave also played in Montage and Tempest before It’s My Party. Larry cites Dave Carroll and Bud Covert, a Penfield guitar legend, as two of his early inspirations. Since Larry is a humble guy, I think that I approached him to join the group, and I am so glad I did! I must have been pretty convincing because Larry was getting married just six days later on July 6 and honeymooned through July 20, leaving only six days after his return before our first performance.

Version two of It’ My Party performed twice. The first show was on July 26 at 2 PM at Panorama Plaza off Penfield Road under a festival-style tent. I remember it set up somewhere near where the AutoZone now stands. Then on August 3 from 1 to 5 PM, we played at the Monroe Developmental Center on Westfall Road in Rochester. Sharon worked at MDC and arranged the gig for us. I remember it being a successful show all the way around with organizers, band members, and attendees, albeit a hot and humid August afternoon with a few sprinkles.

Monroe Development Center Performance August 3, 1986

Monroe Development Center Performance, August 3, 1986. From L-R Ken, John, Kelly, Sonia, Jim, Sharon & Larry

Sadly as quickly as IMP 2.0 came together, it split up. On August 4, the day after the MDC gig, Larry moved out-of-state while Sharon, Sonia, and Jim decided to depart. I remember speaking with Sharon at our practice facility that day, we had gone through a lot over the past year, and I was upset by her departure.

Now I practically stood alone, for the first time since the idea for this band hatched with then Lakeshore Record Exchange owner, Ron Stein back in 1984.  Fortunately, Ken Peters and Kelly Donovan decided to stick with the band, and again, without there support and belief, I don’t think I would have pursued another attempt at reforming the project. I should also note the Ron Stein was still supportive and, at this point, took on a more active, managerial role. It’s astonishing that when you need people most, they are there for you.

On October 23, singers Patty Angie and Charlene Scarpula joined the band. I remember Patty being at our Island Cottage show on May 5. She approached me, much like Ken, and said that if I ever needed a singer, she was interested. She also confidently stated that she could bring a different twist to the band. Previously, Patty had acted in one of the Frank LaLoggia directed movies filmed locally. Answering an advertisement in the Freetime Magazine, our one-time local entertainment staple, Charlene impressed with a strong audition. 

Now we needed to round out the instrumental ensemble, again relying on Freetime Magazine we placed an ad for a keyboardist and bassist. Terry Farrow, having just been a part of the pit orchestra for the play Pippin, answered our ad and convinced the bass player in that show, Paul Kanack, to tag along to the audition. We immediately got a good vibe from Terry, a gregarious guy. And although Paul was somewhat reserved, his talent was undeniable. Terry and Paul joined the group on November 11 of 1986.

IMP 3.0

IMP 3.0 From L-R Charlene, Terry, Patti, Ken, Kelly

Although the new incarnation of the band did not perform in 1986, I will pick up their history with details from the 1987 calendar. I hope you enjoyed this look back at our history. Please leave a comment or question, and I will follow up with a reply.

 

The Confetti Clatter – January 2016 Newsletter

IT’S MY PARTY! returns to the Recording Studio

We went back into our recording studio on January 3 to track more music that will be used on a forthcoming, yet untitled, release. Our friend and fan, Ken Kleinendorst, drove up from Central Pennsylvania with his new video camcorder and camera to chronicle the session. If you have been following our recent newsletters, you are familiar with this evolving story, if not, please read our past issues.

Engineer Calvin May started setting up the session at around 11 AM. As planned, musicians JP Pitchard, Matt Doi, Paul Kanack and I warmed up, and then laid down the accompaniment to the song “I Almost Forgive Him.” We did most of the pre-production work for this song at an earlier practice in December, so things went smoothly.

Paul Kanack, JP Pitchard, and Matt Doi get ready for a take of "I Almost Forgive Him."

Paul Kanack, JP Pitchard, and Matt Doi prepare for a take of “I Almost Forgive Him.”

The instrumental tracks consisted of JP on the Fender Jaguar guitar, Matt Doi on the 12-string Rickenbacker electric guitar, Paul Kanack on the Fender P-bass, and me on the vintage 1962 Slingerland drum set. 

Michelle sang a guide vocal as the ensemble performed five takes. A guide vocal helps the musicians in two ways. First, it helps to keep their place in the arrangement, and secondly, the guide vocal elevates the performance emotionally.

Once we were satisfied with the keeper take, we began the process of recording the vocals. Calvin brought his Sure SM7 microphone to the session to record the lead vocals. This is the same microphone used to record Michael Jackson on the Thriller album. Michelle recorded two separate lead vocal tracks as she listened to the instrumentation through headphones. We will blend these two tracks together in the mix to create the vocal doubling effect, used on many of the ’60s girl group records. Lesley Gore is famous for her vocal doubling. The Beatles cited Lesley’s double-tracked vocals as a example of how they wanted their lead vocals to sound when recorded. Doubling the vocal, when done correctly, can produce a nice fat sound. 

Sierra and Sarah practice backing vocals around the Lawson L-47 microphone

Sierra and Sarah practice backing vocals around the Lawson L-47 microphone

At the end of the session, Sarah and Sierra joined Michelle to record the back up vocals to “I Almost Forgive Him.”  We used the Lawson L47 microphone to capture the vocal ensemble. Back up vocals are best recorded using one microphone for all of the singers. It is up to the vocalists to create the correct blend and balance by moving closer to, or farther away from, the microphone and listening to each other. Some vocalists prefer to have one headphone off the ear, so they can hear each other in the room, rather than in the headphones. After the backup vocal session, we laid down a hand clap track, which included Ken as part of the hand-clap gang. Upon reviewing the instrumental tracks, it seemed as though something was missing in the percussion session, so we will add a tambourine at a later date.

Mystery Cover Revealed

In addition to recording “I Almost Forgive Him,” we turned out attention to another unfinished song. Back in the summer we laid down the instrumentation for what would have been our first recording featuring a male on lead vocal. James Schrag, our multi-talented musician, seen mostly on violin during the performance season, has a great singing voice. I wanted to give him a lead, with the girls singing the backup vocals. This format was very popular in the early to mid 1960s with artists like Bobby Vee, Del Shannon and Lou Christie, all of whom used The Angels for the backing vocals.

We chose the Del Shannon song “Little Town Flirt” for James to sing, which had also been covered by Jeff Lynne and the Electric Light Orchestra, a band favorite. Our version is a bit of a hybrid of the original and the ELO version. We chose the key of C, like the ELO rendition, because of James’ limited range in the high register. The feel of our take is more early rock n’ roll, like the Del Shannon version, as opposed to the more rockin’ version of the Electric Light Orchestra.

As the session proceeded, with James singing a guide vocal for the musicians to follow, it became apparent that even the key of C, a half-step lower than Del Shannon’s original, was too taxing for James to sing clearly without straining his voice. It seemed like the whole idea was going to be placed on the scrap heap.

Not willing to give up totally on the idea, I turned to Michelle and asked her to give the lead vocal a few tries. After all, it couldn’t hurt, so we “rolled the tapes” as she sang. The results were interesting. Although the lead vocal starts out very low for Michelle, it brings out a kind of sultry delivery, and when the vocal soars into what would be the falsetto for a guy singer, Michelle was able to belt out the passage. The song now becomes a girl warning a guy about the flirt, so no changes were needed to the vocal line — wow this had some real possibilities!

So, here is an exclusive video, shot by Ken, of Michelle singing the lead vocal, see what you think. We also quickly recorded the backing vocals, but since the girls had not practiced those parts since August, we would like to record them again at a future session, perhaps in March.

Call to Action

Are you connected with IT’S MY PARTY! on your mobile phone? Just text getimp to 444999 and you’ll join our mobile app, it’s another great way to keep up-to-date with our group.

Are you familiar with the band site ReverbNation? Become one of our fans by visiting our ReverbNation site.

Are there any questions or comments you have regarding this post? Leave a reply below to start a discussion, we usually respond promptly.

Also, don’t forget to share this article on your social media pages, by using the links at the bottom of this edition. 

The Confetti Clatter – Fall 2014 News Update

Summer 2014 Tour comes to and end

It was a very busy August for IT’S MY PARTY!, the group performed a total of nine shows, finishing with a return to the Honeoye, NY concert series on Friday, August 22. Unfortunately, the weather threatened all day. The crew made a decision to disassemble the light show, rather than have it exposed to a possible cloudburst. As it turned out, there was not a drop a rain, and the crowd was large and responsive.

Wendy Krause, from the Honeoye public library, organizes this series yearly, and does a fabulous job. Every year, the concert series includes a glossy color flyer of the schedule of events. Wendy, and her team, are most interested in the musical integrity of the act. She was particularly impressed with our string section, which included 5 violins that night.

Announcing Personnel Changes

After five incredible seasons with the same vocal lineup, IT’S MY PARTY! is about to begin a new chapter. Kylie has decided to dedicate more time to her classically trained voice at Slippery Rock College, and would like to take a break during the summer. Shelbie is studying theater production at Fredonia, and found it difficult to juggle her commitment to the band and her future profession. We wish both girls success in their future endeavors, and thank them for a great run with the group.

You may have seen a show this past season with Sarah performing with us, while Shelbie was on an internship. We are happy to announced that Sarah is now a member of IT’S MY PARTY!. Sarah is joined by new member, Sierra, a junior at Penfield High School. Sierra has her own solo career, and has been singing classic rock, and jazz for some time now. Finally, we are thrilled to announce the return of Michelle. Michelle is not only a great singer, but a real student of the girl group sound. The new trio is busy in the studio rehearsing and recording. The vocal blend is already coming along, and I know that our fans will be as excited as we are, with the new lineup.

Group completes recording of “You Won’t Even Know Her Name”

The recording of “You Won’t Even Know Her Name” is now completed. The final steps are mixing and mastering. We will have to make a decision whether to release this as a single, or include it in a larger body of work. The group hopes to record more material in January. This is the first recording to with our new member, Sarah, who is singing the high harmony part. You can hear a rough mix — minus the fade out, which occurs in the mastering process — by clicking the link below.

 

Exciting Event planned for July 2015

IT’S MY PARTY! began with conversations between John Giotto and Ron Stein in 1984. By December of that year, John interviewed the first singer, Sharon. Liz and Sonia followed to round out the first trio, and the band debuted on June 15, 1985 at Panorama Plaza, helping celebrate the 175th anniversary of Penfield, NY.

As we begin 2015, the time felt right to reunite the original members, along with the other ’80s lineups for a one-time concert. The plan is to have a concert that would open with the current group and then welcome the three ’80s lineups to perform, culminating the show with the original members. As of this writing, six of the original seven members have made a verbal commitment to perform. Additionally, Larry Goss, and Kelly from the second incarnation have expressed interest in performing. The event will take place in July. We will keep you updated as new developments unfold.